I have a few documentaries recorded on my PVR which I haven’t got around to watching yet, so a few nights ago I made a start. The movie director, Lu Nelson “provides an insider’s look at the work and process of world renowned Vancouver photographer Jeff Wall. The documentary was created as a portrait of Wall working in the studio and on location in the process of making two works: Spring Snow and Woman Covered with a Tray.
Commentaries were interspersed throughout the documentary by Peter Galassi, former Chief Curator of MOMA, Willard Holmes, COO Museum of Fine Art in Houston and former director of the Vancouver Art Gallery and Jean-Francois Chevrier, Art Historian, Curator and author. My notes consist of selected transcriptions, made mainly be these three people and a few quotes from Wall.
- Wall crafts images, gradually building it up. Makes images that transmit and transform – his work constantly responds to the present. Transforms the tradition of the pictorial reinventing it first and transforms it by reinventing it.
- Wall: “I want to slow photography down – slowing the time down by overcoming obstacles in order to make a picture”.
- Wall’s compositions were inspired by things he had seen. By ‘seen things’ he was picking up on the famous expression of Victor Hugo: ‘seen things’.
- The realm of chronicles is completely surpassed in Wall’s work. He re-stages everything, he replays things that there is a work of composition – of re-composition – and this work of re-composition transforms and displaces the ‘seen thing’ and translates the specificity of the ‘seen thing’ into a generic figure and so obviously we can’t speak anymore of the specificity of the ‘seen thing’ because there is no longer any objectivity that one could isolate. There is a process: a process of transformation, a process of displacement, a process of figuration, quite simply.
- Wall: “Failing in your own eyes leaves a residue of ambition. Not reactive, but making things happen.” He refers to his work as ‘cinematography’.
- Wall on the difference of an image and picture. An image happens instantaneously. A picture – how it is constructed, holds onto ambiguity. Movement and life are incalculable and photography captures that.
- Wall: “Every picture is a start-over situation”.
Knowledge Network (2017). Jeff Wall: In Order to Make a Picture. Dir. Lu Nelson. The West Films. 45 min 01 sec. [Accessed 15 May, 2017]