Hans Eijkelboom

I reviewed Hans Eijkelboom’s work while working on Assignment 1 for this module. My review can be seen here. However, I mainly looked at his typology work so will look briefly at the With My Family and In de Krant series.

In de Krant featuring Hans Eijkelboom
In de Krant featuring Hans Eijkelboom

For In de Krant (which means “in the newspaper”) Eijkelboom stalked or tracked a press photographer for ten consecutive days and managed to insinuate himself into the background of each photograph. Seen individually the photographs would probably mean nothing, but together they make up a rather mischievous collection of photobombing. Eijkelboom is photographed in the background of various scenes: student demonstration, accidents, etc. As Eric Kessels (Aperture, n.d.) states “It was a performance that was recorded, daily and accidentally, by someone who did not know what was going on.”

In de Krant featuring Hans Eijkelboom, Tuesday, 8 May, 1973
In de Krant featuring Hans Eijkelboom, Tuesday, 8 May, 1973

For the With My Family series Eijkelboom approached four different households after the husband had left for work and persuaded the wives to allow him to pose in a family portrait with their children in place of their real father. Somehow Eijkelboom looks as if he belongs in the portrait. One review I read states that these are his neighbours which might explain the obvious comfort level the women and children display.

“Hans Eijkelboom similarly questions photography’s anodyne tendencies in “With My Family” (1973), where he subverts the concept of the saccharine family photo to great effect by inserting himself into his neighbors’ homes to pose with a series of wives and children not his own.”

O’Regan, K (2016)

By substituting himself for the real father, Eijkelboom is questioning the family nucleus and collective identity in a light-hearted manner.

With My Family by Hans Eijkelboom
With My Family by Hans Eijkelboom
Reference List

Aperture (n.d.) Eric Kessels on Hans Eijkelboom [online] Photobook Review. Aperture. Available at: http://aperture.org/blog/erik-kessels-hans-eijkelboom/ [Accessed 27 November, 2016]

O’Regan, Kirsten (2016) From Fluxus to Selfies, Photographs that Blur the Performantive and the Real [online] Hyperallergic. Available at: http://hyperallergic.com/298539/from-fluxus-to-selfies-photographs-that-blur-the-performative-and-the-real/ [28 November, 2016]

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s